A fiddle tune recorded by Mississippi duo Narmour & Smith on March 11, 1929, for OKeh Records. Named for their home county, the tune became one of the biggest-selling hillbilly records of 1929. Its origins are disputed—family stories suggest Willie Narmour heard it from a young black musician playing jew’s harp at a train depot, while other accounts credit a local field hand or Narmour’s mentor Gene Clardy. The tune features distinctive blues notes and irregular phrasing that set it apart from typical fiddle music, blending Anglo-American and African-American musical traditions. Its success launched numerous covers and established it as a standard in American old-time music.